We are very pleased to debut a brand new U.S. poster for We Bought A Zoo in glorious high resolution. We really hope you like it!
Tell us what you think! Do you like the new poster?
We are very pleased to debut a brand new U.S. poster for We Bought A Zoo in glorious high resolution. We really hope you like it!
Tell us what you think! Do you like the new poster?
The NY Times chats with Cameron about life after Elizabethtown, Tom Cruise and the genesis of We Bought A Zoo. You can read Leah Rozen’s entire article/interview over at the NY Times, but here’s a few choice excerpts:
Mr. Cruise, who had starred in the hugely successful “Jerry Maguire” (1996) and “Vanilla Sky” (2001) for Mr. Crowe, felt that it was time for his friend Mr. Crowe to emerge from behind the yellow legal tablets on which he composes his first drafts in longhand. “I was deep in the writing cave,” Mr. Crowe recalled, “and he said: ‘Hey man, you need to be directing. You’re forgetting the joy, the adrenaline.’ He’s, like, ‘Let’s go for a drive.’ ”
The drive took them to the nearby set in Los Angeles of “Knocked Up,” where the writer and director Judd Apatow was trading punch lines with Seth Rogen and the film crew. Mr. Cruise introduced Mr. Crowe to Mr. Apatow, who joked that he’d been stealing for years from “Say Anything…,” the sharp-witted teen comedy that first established Mr. Crowe as a director in 1989.
“Cruise sidles up to me and goes: ‘See? Get out of your house, man, it’s fun,’ ” Mr. Crowe said. “And that’s when it felt like, yeah, it’s time to direct again.”
Whatever the fate of “Zoo,” will Mr. Crowe wait as long again before making his next film? “Not anymore, baby,” he said exuberantly. He said he hopes to begin shooting in March on a new comedy that he had finished writing two days earlier, even as he was making final tweaks on “Zoo.” And he has another movie he intends to make right after that.
Here’s the international trailer for We Bought A Zoo. You’ll notice some additional scenes that were not in the U.S. trailer. WBAZ arrives in theaters on December 23, 2011.
Share your thoughts on the trailer.
We’ve got the details for the We Bought A Zoo soundtrack courtesy of jónsi’s official site.
The soundtrack that comprises of over 30 minutes of brand new music from jónsi – the soundtrack comprises of two new songs from jónsi: “ævin endar” (life ends) & “snærisendar” (end of a rope) as well as nine shorter “theme” pieces, plus reimagining’s of songs from jónsi’s debut solo album “go”. the soundtrack also includes “hopipolla” by sigur rós.
Here is some words about the soundtrack recording process:
“[jónsi] arrived from iceland with a toy sampler keyboard and a headful of ideas,” says cameron. “within a week, [he] had composed a series of themes that would reflect everything we’d hoped for. in his music were all the highs and lows and passionate in-betweens of the film itself. the instinct that made the movie come full circle.”
cameron’s relationship with jónsi and sigur rós goes back almost as far as the band’s position in the international spotlight, to 2001 and the director’s much-noticed inclusion of three of the band’s songs in the hugely successful tom cruise film ‘vanilla sky’. cameron has long heralded the band and their filmwork, to the extent that the secret project name for we bought a zoo was, in fact, ‘heima’ in honor of the band’s 2007 tour film.
“early on it was obvious that [sigur rós’] music would have a profound effect on the making of we bought a zoo,” says cameron. “in preparation for making the movie, we gave all the actors and crew members a copy of sigur rós’ transcendent documentary, ‘heima’.”
even ahead of getting jónsi on board as composer, we bought a zoo was broadly ‘temped’ with jónsi’ solo material. it’s an open secret that cameron would encourage matt damon, scarlett johansson and the other actors on the movie to listen to specific songs by the band to create the right energy for a scene.“the actors listened to the music during their takes; it quickly became part of the film’s dna,” says the director.
perhaps even more potent is the fact that the closing scene of we bought a zoo is a cinematic homage to a specific moment in ‘heima’ when gleeful crowds stream in a sigur rós show in the far north of iceland or, in this case, the newly opened zoo.
among the original score and new songs is ‘gathering stories’, a song co-written by jónsi and cameron, in something of a collaborative first for the notoriously private icelander. orchestral arrangements on the score have been handled by previous jónsi working partner, and ‘reader’ soundtrack composer, nico muhly, who brings his quixotic genius to the string and brass sections.
here is the tracklisting for the soundtrack:
The soundtrack will be out on December 13th. The movie hits theaters on December 23rd.
The Crowe’s Nest is a feature that collects random tidbits, etc. in one blog post. So let’s get started!
You’re following Cameron on Twitter or Facebook, right? He’s been sharing some pretty cool pics of late from the set of We Bought A Zoo (including a visit from the real Benjamin Mee) and his scoring sessions with Jonsi. Here’s just a few to whet your appetite in case you aren’t yet . . .
Welcome to another edition of Inquire Within… Through your submissions, Cameron will answer your questions in his own words. The goal is to have a new question and answer posting every few weeks leading up to the releases of Pearl Jam Twenty and We Bought a Zoo this fall and The Union early next year.
The Uncool: Why did you decide to rework the location in We Bought A Zoo from England to Southern California?
Cameron: The story was set in Boston when I first read Aline’s script, and she really made it sing as a universal story. I watched Benjamin Mee’s BBC documentary, and read his great book a few times and knew that Ben’s story (while very much set in the UK) was largely a personal one. I also knew a ton of places in “inner” California that felt like my “Dartmoor”… places that felt far removed and would support a struggling zoo. Then we found the Greenfield Ranch location, outside Westlake Village, and we all fell in love with the property. Plus, I wanted to work with Matt Damon, and I think he gets things done pretty well with his natural accent… so we started casting American actors, reading with them, setting the story here in California… and the real Benjamin Mee gave us a thumbs up… and that’s a mighty thumbs up. We filmed in “out of the way” California, places that don’t normally turn up in the movies. (Though Jamie Foxx had a place in the hills across the way and the rumor was he was tracking our movie through binoculars. Hey Jamie!)
Please send in your Pearl Jam Twenty questions for Cameron and maybe yours will be part of a future installment of Inquire Within…
Entertainment Weekly profiles We Bought A Zoo in the their annual Fall Movie Preview issue. Above, you’ll also find a brand new high resolution still from the film featuring Benjamin Mee (Matt Damon) and Kelly Foster (Scarlett Johansson). Here’s what EW had to say:
We Bought A Zoo
Starring Matt Damon, Scarlett Johansson, Thomas Haden Church
Directed by Cameron Crowe
To persuade Matt Damon to play We Bought A Zoo‘s Benjamin Mee — a real-life London newspaper columnist who moved his family to a decrepit rural zoo and, after the death of his wife from cancer, worked to reopen it — director Cameron Crowe visited the actor on the Texas set of last year’s True Grit with a care package. ”I’m going to give away my age because I would call it a mixtape even though it was all on a computer,” says Damon of the gift, which Crowe assembled to evoke the mood of the film he wanted to make. ”There was lots of Eddie Vedder and Neil Young. I downloaded it, and the day after I got home, I went for a long run in Central Park and listened to all 15 songs. At the end of that run I was like, ‘Well, that’s a feeling I really like.”’ Scarlett Johansson plays a zoo worker who helps Mee cope with his wife’s death. (Dec. 23) —DK