Tag Archives: Reader Essays

Proof Returns

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Here’s the latest in our series of Crowe inspired essays called “We Have the Records, We Have the Proof”. The latest entry (by Dan Pulliam) is entitled The Penny Lane Identity Crisis. Another powerful, personal story. Check it out!

The Penny Lane Identity Crisis

(or: how I learned to become an invisible man in just six years)

by Dan Pulliam

Penny Lane is, in some ways, that same person for each of us that she was for William Miller. It took a while for this to dawn on me, but upon subsequent viewing of ‘Almost Famous’ (and, more especially, of ‘Untitled’), a few things became undeniably clear. One: Penny’s perfection is in her flaws. Two: Penny isn’t perfect…she just happens to be perfect for the one who loves her. Three: Under it all, she carries her battered heart wrapped up in a blanket while projecting an air of invincibility. And four: Through everything, there is one person who knows her best…possibly better than she knows herself.

That’s where we come in. And come on, guys, you know who you are. We’re the tortured souls. The ones who find something of worth in a Crowe film because we can actually feel what other people just watch casually with less-than-discerning eyes. We’re the best guys that everyone knows. We’re the last in a dying breed of chivalrous romantics (the ones as yet unphased by the recent influx of societal cynicism). We’re the people who sit patiently and wait for something intangible. We’re never happy until we find it, and yet we’re never quite sure what it is. If this is making any kind of sense to you, then we’re probably on the same page, and in the vein of the tortured soul syndrome, we’ve all got our Penny Lane, don’t we?

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Oct 14, 2003

Gathering Proof

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Here’s the latest in our series of Crowe inspired essays called “We Have the Records, We Have the Proof”. This one comes courtesy of site reader Lisa King. She recalls her experiences with Crowe’s film and how they shaped her personal life in her piece entitled “The Beauty of Gray”. It’s heartfelt and worth your time. Check it out.

The Beauty of Gray

“Every passing moment is a chance to turn it all around”

by Lisa King

My introduction to the films of Cameron Crowe was a shaky one.

When I first watched ‘Say Anything…‘, I was frustrated with Lloyd for taking Diane back as easily as he did in the scene at the dojo.  I remember thinking that if only the filmmaker had made Diane look into Lloyd’s eyes and really sell the idea that she needed him, not just someone, that I would have felt more satisfied with the movie.

When I first watched ‘Jerry Maguire’, I was exasperated by the ending and felt like I was the only person in the theater who didn’t believe it was an entirely happy one.  I remember thinking that if only the filmmaker had made Jerry and Dorothy hold each others hands at the end, instead of continuing to have Ray be the (literal and symbolic) bridge between them, that I would have felt more satisfied with the movie.

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Sep 8, 2003

More Proof

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Here’s the second entry of Cameron Crowe inspired literature from site reader Natalie Plummer, an NYU journalism major. She touches on each of his films as Crowe is a real life inspiration for Natalie, who strives to follow in his writing footsteps.

Cameron Crowe: You Are Now Connected by Natalie Plummer

Cameron Crowe is a director who thoughtfully and masterfully links with the human heart.  He creates images that are like old photographs; they stir up memories of beautiful moments when things feel just right in our lives.  He touches the soul with music: classic rock, acoustic melodies, and broken hearted love songs.  Crowe skillfully uses music to highlight the beauty of a sometimes soundless world.  Life in a Cameron Crowe film feels real, but not quite.  And we’re not just talking about an “open your eyes” lucid dream.  Crowe shows us an idea of life we want, one which we are inspired to attain.  Words with meaning, songs with passion, honesty—this is the basis of the human spirit and it is what we seek in each moment of the day.  How often do you wish you had complete sincerity, the readiness to get your heart broken, your dreams crushed, take the ultimate step?  Crowe’s films mirror times and experiences in our own lives, but they also encapsulate our feelings during brief but magnificent moments.

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Jul 23, 2003

We Have The Records/We Have The Proof

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I’m very pleased to introduce a new feature to the site today. A series of essays discussing the impact of Cameron’s films and what they mean to you, the readers. These will all be your submissions, so I encourage you to share your thoughts. First up, site reader Dan Pulliam’s ode to “In Your Eyes” and Say Anything… This is a very personal and heartfelt story and I appreciate Dan’s contribution to the site.

“In Your Eyes” by Dan Pulliam

“Accepting all I’ve done and said, I want to stand and stare again ’til there’s nothing left out.  Oh, it remains there in your eyes.  Whatever comes and goes, I will hear your silent call.  And I will touch this tender wall ’til I know I’m home again.”

For the uninitiated, that’s how Peter Gabriel’s ‘In Your Eyes’ was always meant to start.  Ironically, those words get right to the heart of the song in ways that the released version never did.  And with that in mind, I’ve decided to take the bull by the metaphorical horns with this first article and get right to the heart of Crowe.  To go beyond the face value of a more conventional critique and look at what make Crowe’s films so great: individual moments.  In what just may be the most ‘almost famous’ of these, I’m starting today with the boombox scene.

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May 29, 2003

  • Almost Famous- Paramount+, AMC+
  • David Crosby: Remember My Name- Starz
  • Elizabethtown- FUBO
  • Say Anything...- Disney+, Hulu, AMC+
  • Vanilla Sky- Paramount+,Showtime
  • We Bought A Zoo- Disney+, Roku