Cameron chats with Todd Rundgren in this 1978 interview with Rolling Stone. Topics include Hermit of Mink Hollow, “Can We Still Be Friends?” and his on again/off again band, Utopia. Enjoy!
Cameron chats with Todd Rundgren in this 1978 interview with Rolling Stone. Topics include Hermit of Mink Hollow, “Can We Still Be Friends?” and his on again/off again band, Utopia. Enjoy!
Here’s three brand new and brief LP reviews from the July 7, 1972 edition of the San Diego Door. First up is a Mama Lion’s Self Titled LP which has gotten more notoriety over the years for the album cover than the music (I’ll let you Google the uncensored inner album sleeve if you see fit). Equally obscure and panned is Rootin’ by rock band Navasota. Lastly is Cameron’s positive and quick take on Argent’s All Together Now. They scored a huge hit in 1972 with “Hold Your Head Up” which helped catapult All Together Now to platinum status.
In this May, 1975 L.A. Times piece, Cameron profiles the break out success of America, the folk-pop trio known for the huge early 70’s radio hits such as “A Horse With No Name”, “Venture Highway”, “Tin Man” and “Sister Golden Hair”. They address their instant success, label and managerial woes and much more.
We have a little Journalism treat for you today. It’s the complete liner notes from the Pearl Jam Twenty soundtrack. In addition to Cameron’s introduction, he share his thoughts on each track. Enjoy!
Cameron’s debut piece of journalism for the L.A. Times was this interview with Deep Purple guitar god Ritchie Blackmore for the June 23, 1974 edition. Among the topics covered: his honesty with interviews, Black Sabbath and classical music. For more Blackmore/Purple magic check out the following:
Cameron was able to snag the ever elusive Van Morrison for this 1973 interview with Creem magazine. As you can tell, Van is a deep guy and he talks extensively about the record industry, his songwriting process and the desire to “just be a musician”. Enjoy!
Both with Sigur Rós, and in his solo work, Jónsi has always made music that captured the human adventure. Early on, it was obvious that this music would have a profound effect on the making of “We Bought A Zoo.” In preparation for making the movie, we gave all the actors and crew members a copy of Sigur Rós transcendent documentary, “Heima,” (Icelandic for “home”). We all watched the film and listened to the music, and it quickly seeped into our own journey in filming the real-life story of Benjamin Mee’s book. The actors listened to the music during their takes; it was immediately part of the film’s DNA. Even the signs guiding our crew members to the set revealed our inspiration “Heima.” During filming, I sent Jónsi a photo of one of the signs. He wrote back with characteristic enthusiasm. On our last day of shooting in April, I contacted Jónsi again and asked him if he was interested in scoring the film. I sent him a copy of the script, and a Quicktime of one of the scenes. The story affected him. He’d already begun composing new music for the film when he arrived from Iceland with his toy sampler keyboard and a headful of ideas.
His first theme for the movie fit perfectly. Within a week, Jónsi had composed a series of themes that would reflect everything we’d hoped for. In his music were all the highs and lows and passionate in-betweens of the film itself. Over the course of several visits to Los Angeles, Jónsi sculpted and orchestrated a soundscape with elements I’d never had in a movie before: bells, strings, cymbals, toy pianos, even melodies played through a small Dictaphone. The instinct that began the movie had come full circle. On a warm fall night in October, we finished. The e-mail he sent last night before boarding the plane back to his home in Iceland says it all: “It was such a blast.” And so it was. Here, with thanks from an inspired director, and special gratitude to Alex Somers, who helped shine it through a prism of love and wonder, is Jónsi’s first score for film. This is his music for “We Bought A Zoo.”
October 2011
Here’s Cameron’s list of his Top 10 Albums of 1973 as featured on the Untitled (Almost Famous) DVD and Blu-ray in no particular order.
The Rolling Stones Goats Head Soup