Inquire Within: Scores for Almost Famous & Vanilla Sky

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Welcome to another edition of Inquire Within… Through your submissions, Cameron will answer your questions in his own words.

Adam Labat.: Are either of Nancy Wilson’s scores for Almost Famous and Vanilla Sky ever going to be available in their entirety like it is for Elizabethtown?  I really dig those cues and would love it if they were available for public consumption.

Cameron: We love getting this question.  Nancy’s scores really complemented those movies, and the process of sculpting the cues was a joyful process.  In the case of Vanilla Sky, thanks to Jeff Greenberg at The Village Recorder, Nancy was holed up for months turning out whole soundscapes… much ended up in the movie, and much did not.  We have a busy release slate for this year but both of those film scores are never far from our minds and we hope to have them out very soon.  In the meantime, you can listen to or download “Cabin in the Air” from Almost Famous as a taste of things to come.

Please send in your questions for Cameron and maybe yours will be part of a future installment of Inquire Within…

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Stormy Night Films

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As I look outside at the grey skies and rain here in Seattle, I thought it would be a great time to revisit Cameron’s 10 Essential Films For a Stormy Night. The list was put together for the September, 2005 issue of Paste magazine. Good timing too as Quadrophenia and The Royal Tenenbaums were recently announced as coming to Criterion Blu-ray in August!

1. Local Hero (Bill Forsythe) – Because of the characters, the things they say to each other and, of course, The Rabbit.

2. Best Years of Our Lives (William Wyler) – Myrna Loy just plain rocks, and so does everybody else in the sprawling beautiful epic. In the words of Wyler’s buddy Billy Wilder, “I was crying five minutes into this picture and I did not not know why.”

3. The Apartment (Billy Wilder) – Because it’s perfect.

4. The Royal Tenenbaums (Wes Anderson) – A complete, compact, bittersweet world. And also, the music. Wes’s use of “Ruby Tuesday” is devastating, and let’s not even get started on the shot of Gwyneth Paltrow exiting that bus to Nico’s “These Days.”

5. Richard Pryor: Live in Concert (Jeff Margolis) – Pryor starts out telling jokes, and then takes a turn. “Let me tell about my year…” Modern personal comedy would never be the same.

6. Live A Little, Love A Little (Norman Taurog) – There’s a good chance that within a few months, Elvis probably didn’t even remember making this movie. He’s a slurring, amphetamined mess…of perfection. Check out the only psychedelic number he ever performed, “Edge of Reality.”

7. Hannah and Her Sisters (Woody Allen) – Like The Royal Tenenbaums, it’s a complete world you can’t help but revisit. As addictive as whatever drugs Elvis was on during the above movie, and more.

8. Quadrophenia (Franc Roddam) – Because of Steph. And, of course, Jimmy.

9. Shampoo (Hal Ashby) – A quiet, timeless look at modern man, set to musical perfection…and all the best characters are women.

10. Rules of the Game (Jean Renoir) – The inspiration for Shampoo, and so much more. The gorgeous catastrophy of the human condition and love, on full display. Misunderstood and discounted in its day, this masterpiece is rich and deep and only gets better. I’m tempted to call it the Exile on Main Street of Jean Renoir’s catalog of brilliant work, but it’s deeper and more elegant and even better than that. And the best character is the sad fool played by Renoir himself.

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Vinyl Films Does Vinyl

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You’ve seen our Vinyl Films Records section, right? There has been a total of 18 full length and EP releases so far. The last release was Mark Kozelek’s Live at the Union Chapel & Södra Teatern. Other releases including the now out of print Almost Famous, Vanilla Sky, Into the Wild and Harold & Maude soundtracks. Check out the section for more details, pictures and track listings.

 

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Door Reviews: Aretha, Paul Butterfield, Flash & Malcolm X

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Here’s four more quick LP reviews from the July 7, 1972 edition of the San Diego Door. First up is Aretha Franklin’s gospel heavy Amazing Grace and Cameron is not a fan. In fact, he’s quite hard on it. He’s mixed on the band Flash, with former Yes member, Tony Kaye. Faring much better is the Malcolm X soundtrack and the latest release from the Paul Butterfield Blues Band. Rock on…

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Billy Wilder’s Wit & Wisdom

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Marilyn & Billy

After the overwhelmingly positive response to Billy’s Tips for Writers, we thought we’d share some quotes from Conversations with Wilder.

On Marilyn Monroe: “She was very tough to work with. But what you had, by hook or crook, once you saw it on the screen, it was just amazing. Amazing, the radiation that came out. And she was, believe it or not, an excellent dialogue actress.”

____

On Barbara Stanwyck: “With Stanwyck, I had absolutely no difficulties at all. And she knew the script, everybody’s lines. You could wake her up in the middle of the night and she’d know the scene. Never a fault, never a mistake — just a wonderful brain she had.”

____

On Audrey Hepburn: “That’s the element X that people have, or don’t have. You can meet somebody and you can be enchanted, and then you photograph them and it’s nothing. But she had it. And there will not be another. She exists forever, in her time. … She started something new, she started something classy. She, and the other Hepburn, Katharine, at a different time.”

____

“I never overestimate the audience, nor do I underestimate them. I just have a very rational idea as to who we’re dealing with, and that we’re not making a picture for Harvard Law School, we’re making a picture for middle-class people, the people that you see on the subway, or the people that you see in a restaurant. Just normal people.”

____

“I just always think, `Do I like it?’ And if I like it, maybe other people will come and like it too.”

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“I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.”

____

On making “Some Like It Hot” in black and white: “I liked it in black and white. I was then one of the last guys still doing it. But when I run into people — you know, as a test — they say, `I saw “Some Like It Hot,” it was wonderful, wonderful,’ and I say, `How did you like the color photography?’ They say, `It was great, it was absolutely great.’ People forget, they don’t remember. It’s less important than the content of the picture, you know. After five minutes they forget about it.”

 

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Todd Rundgen: Fragile Utopia

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Cameron chats with Todd Rundgren in this 1978 interview with Rolling Stone. Topics include Hermit of Mink Hollow, “Can We Still Be Friends?” and his on again/off again band, Utopia. Enjoy!

 

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International Blu-ray News – We Bought A Zoo

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As We Bought A Zoo concludes its theatrical run around the world, the Blu-ray nears release outside North America. Extra features should mirror those on the North American release. Here’s what we know so far:

  • Australia/New Zealand – May 2, 2012
  • Spain – May 3, 2012
  • UK – July 16, 2012

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Movie Mastermind?! Maybe not…

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UK movie magazine, Empire, runs a monthly column entitled Movie Mastermind. The object is to stump a filmmaker or actor based on questions from their own films. Cameron was the lucky target for April and here’s how it went…

1. In Singles, Citizen Dick’s LP, Smarter Than You, is released on which label?

Oh man . . . is it not Sub Pop? Ah, you’re killing me. I’m trying to visualize the review on my wall where I used to hang it. Was it . . . Real Clever Records? We wrote a whole review you know. It was a compilation of every hideous Creem magazine review I remembered ever being written.

 Correct

2. In Say Anything…, Lloyd drives past the Guild 45th theatre, which is showing another John Cusack film. What is it?

Tapeheads.

 Correct

3. In your cameo in Minority Report, what newspaper are you reading?

USA Today. I’m a terrible actor, as you already know from my cameo in Singles, but I went for it. Instantly Steven Spielberg realized how bad I was and put me in the background with a newspaper to read. At one point during the rehearsal, I looked up and (Tom) Cruise was giving me this venomous look. I was like, “What are you looking at me like that for? Come on man, it’s just a rehearsal…” Then I heard from Steven, “Okay, cut, we’ve got it!” I was like, “You fucker! You pulled the bad actor trick on me!”

 Correct

4. In Almost Famous, what the full names of the band members of Stillwater – and the actors who played them?

There’s John Fedevich, the drummer, Mark Kozelek is the bassist, Billy Crudup is the guitarist Russell Hammond, the great Jeff Bebe is Jason Lee. But now I need the other names. . . Silent Ed Vallencourt is Fedevich! So now we’re down to the bassist (laughs). Now, Mark Kozelek plays LARRY FELLOWS! (laughs) Man, do I feel good about that!

 Correct

5. In Elizabethtown, how much money does Drew’s company lose from the Spasmodica shoe?

It was almost a billion dollars, my friend. [Hears precise answer] Oh, well, come on, what’s a few million dollars between friends?

1/2 point. The correct answer is $972 million.

6. In Fast Times at Ridgemont High, what book is Arnold reading while at the pep rally?

Shhhhhhhhit. Don’t have it. Love Arnold, forgot his book.

The correct answer is The Catcher in the Rye by J.D. Salinger. 

7. What is the first line of Paul McCartney’s Vanilla Sky?

(Starts humming the tune) I’ve got to visualize the end of the movie and I’m there. Right, here is is: “The chef prepares a special menu for your delight.”

 Correct

8. Warner Bros. didn’t initially approve of Singles‘ title – can you name three of their original suggested alternatives?

Come As You Are, that’s one. (Chuckles) They always suggest One Hot Summer, that’s a given. Fuck, were they all Nirvana songs? I have to think about this carefully, much pain was attached to this. Was something like Addicted To Love one of them? (Hears the answer). Man, you went deep for that question, didn’t ya?

1/2 point. The correct answer is Addicted to Love, Come As You Are, In The Midnight Hour, Love in Seattle, Leave Me A Message.

9. Finish the line from Jerry Maguire: “I am out here, for you . . . “

I want to say, “Doing it…” Goddamn it! (Hears the answer) Oh, man, SHIT! For the sheer pleasure of rediscovering that line with you, I will accept the loss of question nine

The correct answer is “You don’t know what it’s like to be me out here for you. It is an up-at-dawn, pride-swallowing siege that I will never fully tell you about, okay?”

10. In Rod Tidwell’s advert for Reebok, eventually cut from Jerry Maguire, what is tattooed on the side of his head?

Crap. you guys are good. I know I don’t have it, you know I don’t have it . . . Now why on earth did I work so hard to stop that advertisement? (laughs)

The correct answer is “IN ROD WE TRUST”. 

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  • Almost Famous- Paramount+, AMC+
  • David Crosby: Remember My Name- Starz
  • Elizabethtown- FUBO
  • Say Anything...- Disney+, Hulu, AMC+
  • Vanilla Sky- Paramount+,Showtime
  • We Bought A Zoo- Disney+, Roku