Almost Famous 15th Anniversary Celebration!

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Stillwater Cleveland Poster (Sorry, just a prop everyone!)

Can you believe it has been 15 years since Almost Famous hit theaters? While the film premiered on September 8th, 2000 at the Toronto International Film Festival, we will be celebrating its release with a bunch of fun photos (behind the scenes, Stillwater, etc.) daily for the next 10 days or so. So let’s begin and please share your memories of the film in the comments section!

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backstage passes made for the film.

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With Jason Lee and Billy Crudup. Photo by Neal Preston. ©Dreamworks

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The Marshall Tucker Band

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Photo ©John Gellman – jgphoto.com.

Cameron talks about the rock and roll business with the Marshall Tucker Band for this 1974 Rolling Stone interview. Happy Tuesday everyone…

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Marshall Tucker: The South Also Rises

Atlanta, GA – It’s Friday night and Richard’s, the lively hotspot of Atlanta’s rock-club scene, is jumping. Onstage, a local favorite is grinding out rock raucous blue standards. The dance floor is an euphoric mass of squirming young bodies.

Welcome to the great lost teenage innocence. David Bowie may set the coasts afire with his 36 costume changes and the New York Dolls can mincingly sing of decadent trauma, but for this typically well-scrubbed Southern crowd, “drag” is when you’ve waited too long to buy your Allman Brothers tickets.

“That glitter shit,” drawls one sweat-drenched regular, “is for the people that don’t care about the music, dontcha think? Here in the South we got our own bands who don’t need any of those…gimmicks. Like Lynyrd Skynyrd or the Marshall Tucker Band or, acourse, the Brothers. Man, they just get out there and fuckin’ play.”

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Meet the Crew: Scott Robertson – 1st Assistant Director

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Aloha 1st AD Scott Robertson surveys the scene from a unique vantage point. Picture courtesy of Andy Fischer. © 2015 The Uncool.

Scott Robertson has been working in the film industry for more than 25 years. He’s worked on a great mix of comedies (Superbad, I Love You Man, Eastbound & Down) and dramas (Moneyball, Foxcatcher, Zero Dark Thirty). In addition to Aloha, Scott’s work will also be seen in Alejandro González Iñárritu’s The Revenant starring Tom Hardy and Leonardo DiCaprio.

You’ve had a long film career dating back to 1991. Tell us how you broke into the business?

I was working in a record/video store called Music Plus in Hollywood. This was 1989 and I was 20 years old. Back then directors/producers and assistants would come in and rent movies so that they could reference other films while shooting or editing their own movies. Well before YouTube. Anyway, one of my usual customers came in and asked me what I wanted to do with my life. Asked me if I would be willing to work long hours with no pay. I jumped at the chance. I was given an 8:00am call time the next day at 20th Century Fox. The job was a movie called The Abyss and I was hired to be a film runner. Eventually I found myself working as Jim Cameron’s second assistant. That’s a whole other story.

How do you see the role of a 1st AD on the film set?

To support the director and the film. Every director and movie is different. I find myself taking on whatever role best fits both.

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Doobie Brothers – Rock Magazine 1973

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The Doobie Brothers, July 15, 1973 Balboa Stadium, San Diego California. Photo by Julian Baum.

Cameron has a quick chat with The Doobie Brothers for this 1973 interview with Rock Magazine.

Nice Guys Don’t Win, But Doobies Do

Nine months ago, in a Warner/Reprise mail-out by the name of The Circular, a contest was declared. The Doobie Brothers, owners of an obscure first album, were about to finish a second and needed title for the LP. Readers were encouraged to send in their suggestions, and the winner, besides receiving credit for the verbal creation, would have his picture plastered on the album’s cover.

“We had a tough time deciding what the name of the album should be,” Tiran Porter, Doobie’s bassist reminisces. “That particular contest for the name never worked out. We had a lot of “Doobie Doo” and some clown even thought up “Dickey Doo and the Don’ts.” Needless to say, there was no winner. The album was simply called Toulouse Street after one of the album’s cuts.

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Stills & Young Tour – Rolling Stone 1976

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Stephen Stills and Neil Young circa 1976.

In this new addition to the site, Cameron chronicles the on again/off again Stephen Stills and Neil Young tour for this 1976 Rolling Stone piece. Happy Friday everyone…

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Quick End to a Long Run

In which Neil Young and Stephen stills find that old magic and lose it all to a sore throat

Los Angeles – Forget the balding pate and those wisps of gray. Stephen Stills and Neil Young, their hair cut summer-short, looked eerily like they did on the cover of Buffalo Springfield Again. But gone, at least temporarily, was the carefree abandon of those days. This was serious business.

The scheduled three-month-long Stills-Young band tour had been rolling only two weeks, and while it came close to jelling in Boston just a few days before, the show still teetered on the edge of the magic that everyone knew they were capable of.

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Aloha Inspirations: Life Magazine

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“As a kid, I remembered how romantic and modern and beckoning space was. Life Magazine made heroes out of space pioneers.  I loved the idea of exploring all the images we grew up with… and how excited we all were about the promise of the future above our heads.”

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Aloha – Gag Reel Clip Starring Alec Baldwin

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Aloha is out today in North America on Blu-ray and DVD. To celebrate, we thought you’d like to see a small clip from the Gag Reel. It features Mr. Alec Baldwin having a bit of trouble with his scene. There’s much more Alec, along with the rest of the cast on the entire Gag Reel. You’ll also find a commentary by Cameron, the original opening, an alternate ending, a 70 minute documentary The Untitled Hawaii Project: The Making of Aloha, additional deleted scenes, a photo gallery with photographer Neal Preston and much, much more.

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Eagles: The Million Dollar View

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Cameron reflects on his 1975 Rolling Stone Eagles cover story just ahead of its 40th anniversary. He discusses his first encounter with the band in 1972 (for The Door) and his unprecedented access for the ’75 piece. Enjoy!

Cameron Crowe Looks Back on His 1975 Eagles Cover Story

Writer-director recalls unlimited access he enjoyed during research of definitive piece on California rock icons

“Take It Easy” had only been out a few months in the summer of 1972. I was a big fan of the song, and was still in high school when the Eagles came to the San Diego Civic Theatre. They were the opening act on a bill with Procol Harum and Cold Blood, and the Civic Theatre was a few blocks from my house. I bought a ticket, and brought my tape recorder. The idea was to slip backstage and talk the band into an interview for a local underground paper, The San Diego Door.

The Eagles opened the evening without an introduction. The lights lowered, and they began with an a cappella version of “Seven Bridges Road,” quickly adding instruments and swinging into “Take It Easy.” They were fierce and joyful, playing with all the piss and vinegar of a young band hitting its early stride. I slipped backstage with my photographer friend from high school, Gary Elam, and asked their road manager if I could interview the band. They were eager to talk. Don Henley, Glenn Frey, Bernie Leadon and Randy Meisner all hung out in a tiny dressing room and spent hours detailing their history and their dreams of hitting the big-time. “If you like us, you should check out our friend Jackson Browne and John David Souther,” Glenn Frey said excitedly, clutching a long-neck Budweiser. They posed for a photo by the amps, arms around each other, and we exchanged phone numbers. I stayed in touch with them. (Little did I know, that fuzzy group shot would be one of the only known photos of all four original members hugging each other. Looking at it today, it has the same slightly surreal quality of one of those photos of the Loch Ness Monster.)

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  • Almost Famous- Paramount+, AMC+
  • David Crosby: Remember My Name- Starz
  • Elizabethtown- FUBO
  • Say Anything...- Disney+, Hulu, AMC+
  • Vanilla Sky- Paramount+,Showtime
  • We Bought A Zoo- Disney+, Roku