Jaeden Lieberher (Mitchell) — Colorworks, Culver City — July 2, 2014
Here’s another picture from Cameron as they continue post-production on Untitled Hawaii. That’s Mitchell, played by young actor Jaeden Lieberher. Jaeden has been very busy of late. In addition to Untitled Hawaii, you’ll be saying Jaeden in the upcoming St. Vincent (also with Bill Murray) and Jeff Nichols’ next film, Midnight Special.
Tom Cruise turns 52 today and it seems like the perfect time to honor the man with a few interviews that he did with Cameron. The first one with Interview magazine back in 1986 was his most in-depth to date. They discuss his early years, Top Gun, The Color of Money and much much more. We also recommend that you check out Cameron’s Vanity Fair interview with Tom from 2000.
Lastly, have you seen Edge of Tomorrow yet? In my humble opinion, it’s a perfect Summer movie. Very entertaining and funny too. Do check it out. Happy Birthday Tom!
Hot Shot in Top Gun
It has been three years since Tom Cruise made his starring debut as Joel Goodsen, the awakening young capitalist in Paul Brickman’s “Risky Business.” The movie was a perfect showcase for Cruise’s style – equal parts comic vulnerability and dramatic strength. When the family egg tumbled through the air at the end of “Risky Business”, audiences everywhere felt the full weight of Joel’s predicament. By the time it landed, Cruise had arrived.
Now 24, Cruise has worked steadily since that memorable turn, but due to a combination of lengthy schedules and production delays, he hasn’t been seen since 1983′s “All The Right Moves.” That hiatus is about to end. This year will see the release of three high-profile Cruise releases. First comes Ridley Scott’s long-awaited “Legend.” The summer blockbuster, “Top Gun” will hit theaters this month, and due in December is “The Color of Money,” Martin Scorsese’s sequel to “The Hustler.” Cruise stars as the pool playing protégé/nemesis of Fast Eddie – Paul Newman.
I spoke with Tom Cruise at the Columbus Dynasty Restaurant on New York’s Upper West Side. A model of manners, Cruise rarely missed an opportunity for a “sir” or “ma’am.” When our talk was over, he thanked the waitress, hoisted his backpack onto his shoulders and disappeared into a crowded subway, looking a lot like Joel Goodsen a long way from home.
Cameron Crowe: You’re someone who is associated with a lot of people’s adolescent thoughts and fantasies…
Tom Cruise: Yep, I’ve been laid just about everywhere. On the train, in the bedroom, on the stairs….[laughs]
Happy Monday. I’m super excited to share a new addition to the site today, Cameron’s 1973 story about James Taylor from Circular magazine. Circular was Warner Bros. promotional magazine and this story profiles James and his latest album, Walking Man. Most of the quotes are from James’ longtime manager, Peter Asher. We hope you like it.
J. Taylor Ends the Wait
It was mid-1970 when America first stumbled onto a gently brilliant, yet fairly obscure album called Sweet Baby James. Seeing it as an oasis in the midst of psychedelia’s dying embers, the public catapulted a somewhat dazed and retiring Carolinian guitarist-composer named James Taylor to superstardom. Gold records, the cover of Time Magazine, adoring throngs . . . it all came in quick succession, and Taylor retreated to write deeply probing and introspective songs that filled infrequent, but well-crafted albums like Mud Slide Slim and The Blue Horizon and One Man Dog.
Not until the recent Walking Man, however, has James appeared content and positive in his work. The mood of the new album is bright and confident, the songs strong and true. In short, James Taylor has presented a solid case against the John Lennon school of thought that “genius is pain.”
As first confirmed by Deadline Hollywood, Cameron will be writing, directing and producing his first television show for Showtime entitled Roadies in partnership with JJ Abrams’ Bad Robot and executive producer Winnie Holzman. Cameron will direct the pilot episode sometime this Fall, so stay tuned for more information. Until then, you can check out quotes from Cameron and J.J. Abrams from the Deadline story below:
“Crowe revealed that he and Abrams had been talking about the Roadies idea for some time. “We’re fans of crews, those workers up on the rigging towers, or walking feverishly with eight phones on their belt. Those quietly devoted people live huge lives, they’re often the real keepers of the flame,” he said.
…”Added Abrams, “We had been talking about the series for so long, but when he actually handed me the script, it was funnier and sweeter and wilder than I had ever imagined. Roadies is Cameron Crowe at his most musically passionate, colorful character best.”
We dip into the archives again with this (brand new to the site) feature on the Allman Brothers Band release of (the now classic) Brothers and Sisters. Cameron talks with Capricorn Records’ Mike Hyland, guitarist Dicky Betts and co-producer Johnny Sandlin for the August 6, 1973 issue of Circular Magazine.
Brothers and Sisters Album Ambles On In
Mike Hyland, Capricorn Records national publicity head, is glad that Brothers and Sisters is finished. Now that it’s on the stands a full year after its initial release date (under the fallacious title of Lightnin’ Rod), Mike will no longer have to spend his Macon days explaining to everyone from The Peoria Street Press to The New York Times why the new Allman Brothers Band album has been delayed another few weeks.
Vinyl Films Records is pleased to announce the vinyl release of Perils of the Sea. This collaboration between Mark Kozelek and Jimmy LaValle will be available on June 24th. Please check with your local vinyl store and order your copy before they are sold out. You can find more details over at the Perils of the Sea page. Next up for Vinyl Films Records is Sun Kil Moon’s Benji. More on that soon…
Black Sabbath – Circa 1972
Cameron interviews Black Sabbath’s one and only Ozzy Osbourne for this 1972 interview for the San Diego Door. Ozzy is at his talkative and entertaining best here, so do check it out.
Black Sabbath Interview
You mentioned a few minutes ago about how tedious is to be on the road for as long as Black Sabbath has.
Yeah. And as soon as you go home, you’ve got to start thinking about the next tour, so you’re not getting any rest. It’s not that the physical work is so tiring, it’s the mental work. You’ve got new albums to think about. You got to worry about whether you’re overexposing yourself, whether you’re not doing enough. You’ve got all this bullshit to think about.
Y’know before we went on this tour, I had an infected throat. I had a very bad throat that I noticed three days before we came (to America for the tour), which wasn’t any fault of ours or our management because we were going through this big change-around in the business-side. We didn’t know whether to go on the tour or not. So we just came over anyway… I couldn’t work the first week. My throat gave out completely. This is… what… our seventh tour of America. Major tours, too. We all feel very, very tired. We’ve done seven tours in just over a year, now. We’ve worked so much in this country it’s driving me loopy.
Are you happy with the new album?
Editor Joe Hutshing, Gilcrest & Ng – Untitled Hawaii Editorial – March 28, 2014
Here’s the latest picture from Untitled Hawaii courtesy of Cameron. It’s editor Joe Hutshing hard at work on a scene with Bradley Cooper (Brain Gilcrest) and Emma Stone (Allison Ng). Joe has worked his magic previously on Jerry Maguire, Almost Famous and Vanilla Sky.
