In celebration of the upcoming Vanilla Sky Blu-ray, we will be sharing (for the first time), a scene extension or deleted scene from the Vanilla Sky shooting script a few times each day. Some of this will be seen on the upcoming Blu-ray, while others will remain exclusive to the script. We hope you like them.
Jeff on the set of Elizabethtown. Picture courtesy of Jeff Wexler.
Jeff Wexler has been working in the film industry since he was an intern on Harold and Maude back in 1971. His career spans more than four decades with such varied films as Foul Play, Being There, The Natural, Spaceballs, Independence Day, Fight Club and Mission Impossible III. We spoke on location working on his sixth film with Cameron, Aloha.
Looking back on your 40 year career in the film industry, I read that you had no plans to follow in your dad’s footsteps (preeminent cinematographer Haskell Wexler). Tell us how working a summer job on Hal Ashby’s Harold and Maude changed your life?
I had been on sets with my father probably since about the age of two. I was very familiar with what goes on when making a movie but when I started to think about what I would do “when I grow up” it never crossed my mind that I would work on movies. I spent 5 years in college preparing to teach sociology at the college level. One summer I think my father felt that I had been in school long enough and needed a summer job. Of course he got me a job on a movie, working as a production assistant in the Art Department on Harold and Maude. I had known Hal Ashby from times spent going to dailies with my father, visiting the editing room (Hal was an Academy Award winning editor on several movies my father had shot), so I was quite comfortable on the set again, with people I knew. What I was not prepared for was how I felt, for the first time, being on a movie, not as a visitor but as a participant. I fell in love with the movies. When the movie wrapped I made the decision: teaching was out — I would pursue a career working on movies.
Describe to our readers the duties of a Sound Mixer?
I am a Production Sound Mixer and it is the responsibility, with my crew, for all the sound that is recorded during production. This is primarily dialog recording, but we also record sound effects, ambiences, music (sometimes live performances depending on the movie). Many others will work on the soundtrack for a movie in post production (i.e. sound designer, sound editorial, foley, music composer, re-recording mixer, etc.) but the production sound recordings are the primary and fundamental basis for the movie.
In addition to already released soundtrack, we thought you might like to see the entire soundtrack listing for Aloha. If the movie hasn’t arrived in your country yet, you might want to avoid this list if you’d like to be surprised. We’ve also excluded the songs featured during the “Satellite” sequence, so you can identify those snippets yourself!
Here’s some nice behind-the-scenes footage shot in pre-production and during the making of Aloha, set to slack key master Ledward Kaapana’s soulful rendition of the Hawaiian standard “Hi’ilawe”. The warmth and open arms with which we were received in Hawaii is something we will never forget. Mahalo to all our friends back on the islands!!
“I sometimes think with all the discussion of hardware and weaponized-tech if we’ve lost a little bit of the wonder of space — the magic of just looking upward, into the unknown. I love this old footage from the dawn of space exploration. It’s filled with giddy romance and the promise of what’s to come. And it’s also a real tribute to the NASA scientists, technicians, and astronauts … the 20th Century pioneers who pushed every boundary and reached further than our wildest dreams could have imagined…”
It’s finally here. Aloha sees a wide release in North America today. Please share your thoughts here once you’ve seen the film. We will read all your comments and appreciate your feedback.
Please be respectful. Any inflammatory comments or profanity will result in your post being deleted. Please understand there will be spoilers in the comments too. thanks!
“Ah, the great Ernst Lubitsch’s Ninotchka is a movie that will fill you with charm and humor of the highest order. Emma Stone’s Air Force Pilot Captain Allison Ng was modeled on Greta Garbo’s memorable Russian envoy character Ninotchka.”
Photo courtesy of Joe Hutshing.
With Jónsi & Alex (aka Rice Boy Sleeps) the day we finished the score for “Aloha,” our 2nd musical adventure together.
