Monthly Archives: February 2011

Bootleg Cut Blu-ray Easter Eggs!

Comments Off

Did you pick up your Almost Famous – Untitled – The Bootleg Cut Blu-ray yet from Best Buy? If you so, you might be wondering if the very cool easter eggs from the DVD have been carried over? The answer is a resounding yes! Here’s the details:

  • #1 – From the “Special Features” menu,  highlight the microphone that marks Crowe’s audio introduction to “Love Comes and Goes,” and press left to uncover a blue vinyl record icon. Press enter to access the 5-minute “Leslie” scene that doesn’t appear in either cut of the film. Crowe reveals in his 1-minute intro for the scene that it was an homage to Truffaut’s Stolen Kisses.
  • #2 – From the “Special Features” menu, highlight “Stairway” and press right to uncover a yellow vinyl record icon. Press enter to access the very first take of the first shot of Philip Seymour Hoffman playing Lester Bangs, preceded by a 1-½ minute introduction in which Crowe explains why this particular take is so special, yet so haunting,
  • #3 – From the “Special Features” menu, highlight “Script” and press right to uncover a red vinyl record icon. Press enter for 9 minutes of multiple takes of a scene between Penny Lane and William on the tour bus, with a 1-minute intro in which Crowe explains how much of a perfectionist he can be during filming.
Filed under News
Feb 4, 2011

Pearl Jam Reissues Set for March 29th

Comments Off

To celebrate their 20th anniversary, Pearl Jam has officially announced newly restored and expanded versions of Vs. and Vitalogy. This should just be the beginning of the PJ news as we await Cameron Crowe’s Pearl Jam Twenty documentary later in the year. It’s also worth pointing out that Vinyl Films guru Andy Fischer worked extensively on the vinyl project (just like the Ten reissue a couple of years ago). Here’s all the details:

1. Definitive Legacy Editions (CD and Digital) – The definitive Legacy editions of Vs. and Vitalogy — including the original studio albums, newly remastered, along with album-era bonus tracks — will each be available on CD and digital formats:

The definitive Legacy edition of Vs. includes three bonus tracks recorded by Brendan O’Brien at The Site studio during the Vs. sessions:

  • A previously unreleased acoustic version of “Hold On”
  • “Cready Stomp” – a previously unreleased studio outtake
  • The band’s cover of Victoria Williams’ “Crazy Mary” featuring Williams on backing vocals and guitar.

The definitive Legacy edition of Vitalogy includes three bonus tracks:

  • The previously unreleased guitar/organ-only mix of “Betterman”;
  • A previously unreleased alternate take of “Corduroy” from the Vitalogy session (recorded by Brendan O’Brien);
  • A previously unreleased demo version of “Nothingman,” taken from the original DAT (recorded at John and Stu’s in Seattle on October 14, 1993, featuring Richard Stuverud on drums).

2. Deluxe Edition (3 CDs or Digital Download Bundle at Various Digital Service Providers) – Deluxe Edition CD version – Vs. and Vitalogy will be available together in a CD deluxe edition which includes:

  • The Legacy edition of each album;
  • A copy of Live at the Orpheum Theater, Boston, April 12, 1994. A special performance recorded at the tail end of the mythic Vs. tour, Live at the Orpheum Theater showcases a dream setlist created especially by the Pearl Jam crew and has for years been one of the most sought-after recordings among serious aficionados.

3. Limited Edition Collector’s Boxed Set (5 LPs, 3 CDs, 1 Cassette, Digital Download, Composition Notebook, Memorabilia-filled Envelope) – Vs. and Vitalogy will be available together in a limited edition collector’s boxed set that includes 59 unique Pearl Jam performances on four CDs, five LPs and one cassette in addition to a number of guest artist performances. The Limited Edition Boxed set is only available for sale at pearljam.com.

Contents include:

Definitive Legacy editions of Vs. and Vitalogy remastered with bonus tracks on CD;

  • Remastered vinyl editions of Vs. (single LP) and Vitalogy (double LP);
  • Double vinyl LP and CD of Live at the Orpheum Theater, Boston, April 12, 1994 plus an exclusive digital download of the concert.  A special performance recorded at the tail end of the mythic Vs. tour, Live at the Orpheum Theater showcases a dream setlist created especially by the Pearl Jam crew and has for years been one of the most sought-after recordings among serious aficionados;
  • Exclusive collector’s cassette featuring live tribute and studio performances from a number of Pearl Jam’s fellow artist friends. Broadcast on January 8, 1995, this recording is part of the legendary Monkeywrench/Self-Pollution Radio series produced by the band;
  • 80-page composition book filled with photos, drawings and artwork by Eddie Vedder and Jeff Ament;
  • A glassine envelope containing a collection of Vs. and Vitalogy- era memorabilia including beautiful lithographs of each band member, postcards, posters and much more.

4. Record Store Day Vinyl Editions (LP) – Available April 12th – Vs. and Vitalogy will be available at independent record retailers in new commemorative, vinyl editions on April 12th in time for Record Store Day 2011 (April 16th).

  • Vs. (single LP) and Vitalogy (double LP) – both remastered
Filed under News
Feb 3, 2011

Vanilla Sky Soundtrack Production Notes

Comments Off

We are launching a new Retro feature. Today, we take a look at the Vanilla Sky Soundtrack Production Notes. Enjoy!

New Tracks From Paul McCartney, R.E.M. And More Featured on Vanilla Sky Soundtrack

Vanilla Sky, one of the most eagerly awaited cinematic events of the season, will be released in conjunction with a landmark soundtrack album featuring new material by such legendary artists as Paul McCartney and R.E.M., as well as key tracks from Radiohead, acclaimed Icelandic band Sigur Ros, film score composer Nancy Wilson, The Chemical Brothers and many others.

Set for release on December 11th on Reprise Records Music From Vanilla Sky, captures the extraordinary impact and emotional resonance of producer, director and writer Cameron Crowe’s widely anticipated follow-up to last year’s most inventive and original film, Almost Famous.

And, as will all of the filmmaker’s work, music is an essential element in the sweep and sensibility of his cinematic storytelling. It was in that context that Crowe worked closely with long time collaborator and soundtrack producer Danny Bramson. The team of Bramson and Crowe, whose work encompasses music for five films, including landmark soundtrack for 1992’s platinum-selling Singles, and most recently, the Grammy-winning Best Soundtrack for Almost Famous, also share production credits on Music From Vanilla Sky.

“I think everything I’ve ever written or directed began with a song, or an album,” remarks Crowe. “Vanilla Sky always felt like New York City, the passionate eclectic mix of a great radio station you might hear after-hours in one of the greatest cities in the world. When we were filming, music was always playing, in between and during takes. With the help of Danny Bramson and Scott Martin, we set about making that radio station the sound of our movie and soundtrack. A soundtrack should always be a souvenir of the experience you had in the dark with the movie, and this is our experience in the dark with Vanilla Sky.”

For almost twenty years, Cameron and I have had the same ongoing joke,” says Danny Bramson. “The joke is that his writing and casting and filming is all just an elaborate excuse for us to get in the cutting room and play music very loud. Our process of fitting songs to the movies is a very fun, very fluid thing. It begins with the characters and what they would listen to, and it extends to the mood of the film and the themes and the shots themselves. You always know when it’s right, and with Vanilla Sky we knew very early on that the movie would have a modern New York feel. Tom Cruise’s character is very plugged into music, plays it constantly, and as his emotional journey begins, the music acts as our… and his tour guide. It was an honor and a privilege to have such cooperation from artists who don’t normally allow access to their songs and sometimes even their separated tracks. Thanks to Paul McCartney, R.E.M., Sigur Ros and so many others, along with our editor Joe Hutsching, we were able to honor and craft a lot of our favorite music to create the sound of Vanilla Sky.”

Written and directed by Cameron Crowe, Vanilla Sky stars Tom Cruise and Penelope Cruz and was freely adapted from the 1997 Spanish feature, Abre los Ojos, directed by Alejandro Amenabar (who also helmed the recent hit The Others). It tells the story of David Aames (Cruise) a handsome, charismatic publishing magnate who meets the girl of his dreams and is thrust unexpectedly into a mind-bending search for his soul, discovering in the process, the ephemeral nature of true love. The Paramount Pictures, Cruise/Wagner – Vinyl Films Production also stars Kurt Russell, Jason Lee, Noah Taylor and Cameron Diaz.

Among the album’s many highlights is the title track, written and performed by Paul McCartney, who became a part of the film’s creative evolution after screening some twenty minutes of early footage. Inspired by what he saw, the former Beatle went on to write “Vanilla Sky,” a song destined to embody the unique spirit captured on the screen.

“All The Right Friends,” a new song from R.E.M., is also among the key selections spotlighted on Music From Vanilla Sky. The Grammy-winning band also contributed “Sweetness Follows” from their multi-platinum 1992 release, Automatic For The People.

Music From Vanilla Sky also highlights “Everything In It’s Right Place,” from Radiohead, first heard on their bestselling 2000 Kid A album and a rare example of the critically acclaimed band giving their creative stamp of approval to a film.

The soundtrack also includes “Svefn-G-Englar” by Sigur Ros, the brilliant new group from Iceland whose involvement in Vanilla Sky extends to two more tracks heard in the film.

A newly remastered version of Peter Gabriel’s “Solsbury Hill,” taken from his 1977 debut release is another key Vanilla Sky selection and harkens back to Bramson and Crowe’s potent use of Gabriel’s “In Your Eyes” in his 1989 directorial debut …Say Anything.

Also included is “Elevator Beat,” a selection from the film’s score, composed by Nancy Wilson, founding member of Heart and film score composer for …Say Anything, Jerry Maguire and Almost Famous.

Among other highlights of Music From Vanilla Sky are “Where Do I Begin” from the Chemical Brother’s 1997 album Dig Your Own Hole; the late Jeff Buckley’s “Last Goodbye” from his 1994 release, Grace; “Porpoise Song” recorded by The Monkees for their psychedelic 1968 film Head and “Mondo ’77” from the band Looper, first heard on their 200 Subpop release, Geometrid. Another Subpop staple, Red House Painters, contributes “Have You Forgotten” a song written especially for the film by Mark Kozelek, who portrayed the bass player in the fictional Almost Famous band, Stillwater.

Nebraska-based singer and songwriter Josh Rouse performs “Directions” while the electronica/hip-hop combination of Leftfield and Afrika Bambaataa weigh in with “Afrika Shox” from Leftfield’s 2000 release,Rhythm & Stealth. The classic Todd Rundgren track “Can We Still Be Friends” from his landmark 1978 release, The Hermit of Mink Hollow is spotlighted on Music From Vanilla Sky as is Bob Dylan’s in-concert rendition of “Fourth Time Around,” from Bob Dylan Live 1966. Crowe previously made brilliant use of Dylan’s music with his inclusion of “Shelter From The Storm” in Jerry Maguire.

The selection “I Fall Apart” written by Cameron Crowe and Nancy Wilson is credited to Julianna Gianni, the Vanilla Sky character portrayed by Cameron Diaz, who makes her singing debut with the track.

Danny Bramson is Warner Bros. Records Executive Vice President of Soundtrack Development, and is one of the Executive Producers of Vanilla Sky.

Courtesy of Warner Bros./Reprise Records

Filed under Retro
Feb 1, 2011

Crowe Looks Back and Ahead..

Comments Off

NY Post film critic Lou Lumenick catches up briefly with Cameron via email to celebrate the Blu-ray release of Almost Famous – The Bootleg Cut. Cameron also touches on Elizabethtown, Pearl Jam Twenty and We Bought a Zoo. Here’s the choicest quotes:

On Almost Famous, The Bootleg Cut & Support from Fans and DreamWorks

“It’s the one movie I’ve done that I hear about the most,” Crowe tells The Post. “Wherever I am, it seems, somebody comes up and says something about ‘Almost Famous.’ ” “Often it’s a button-down business type who looks like somebody’s accountant uncle, and they take you aside and say wistfully, ‘I followed Deep Purple to 25 cities in the early ’70s. ‘Almost Famous’ is my life,” says Crowe, 53. “And we have a moment talking about music, and vinyl. It’s the reason I made the movie.”

“We had the commercial capital, thanks to DreamWorks, to make the movie with all the love and time to get it pretty right,” Crowe recalls. “Big props to the cast, too, who really felt the movie as we were making it. Kate Hudson dancing on that arena floor will always be one of the favorite things I was very lucky enough to be behind the camera and watch happen. Movies tend to communicate the spirit of the people who made it, maybe that’s why it lasted.”

Crowe calls the 162-minute “Untitled” version, which adds 40 minutes and was previously available on DVD, “the full movie. The theatrical cut of ‘Almost Famous’ was honed through public screenings. On the big screen, I think the cross-country tour was a little exhausting for some people (just like life) . . . but for home viewing, ‘Untitled’ is made for you to put it on pause, grab a beer, and then back on the road to visit the next city. “Also there are some sub-plots in the longer version that I do miss in the theatrical version — for example Jeff Bebe (Jason Lee) has a secret coke problem and other little side-stories that I will always love. Either version is there for whatever mood you’re in, or how long you want to tour with Stillwater.”

On Elizabethtown

“Elizabethtown,” Crowe says, “was a big, open-hearted movie that worked for some people, maybe not for others. But for me it will always be about the final road trip, and the music of My Morning Jacket and Tom Petty and Ryan Adams. Also it was a chance to film in Kentucky and pay a little tribute to my Dad, who grew up there.”

On Pearl Jam Twenty

Crowe calls it “our equal-part tribute to Bob Dylan’s ‘Don’t Look Back’ and The Who’s ‘The Kids Are Alright.’ When I first moved to Seattle in the mid-’80s, that now-hallowed music scene was starting to come together and I was fortunate to have a front-row seat to the formation and the early shows of Pearl Jam. We gave them jobs on ‘Singles’ to keep the band afloat.”  “They became good friends of mine, and about 10 years ago we started talking about a project that would use all the archival stuff the band had never shown to the public. The time finally came to tell that story. Jeff Ament, the bassist and creative architect of the band in many ways, said to me, ‘I’m expecting to learn things about our little band that I never knew. I hope it’s a little bit like group therapy.’ ”

On We Bought a Zoo

Crowe e-mails that it’s “probably closest to ‘Almost Famous’ or ‘Jerry Maguire’ in the mix of comedy and drama. It’s a fun movie with a smokin’ cast, and I think everybody is bringing something new to it. We’re almost two weeks in, and every day has been a blast. It’s also a little bit of a tribute to the great Bill Forsyth comedy, ‘Local Hero.’ I’m really excited . . . tomorrow Peter Riegert, the star of that movie, is playing a juicy part with Matt Damon. Should be good.”

Filed under News
Feb 1, 2011

  • Almost Famous- Paramount+, AMC+
  • David Crosby: Remember My Name- Starz
  • Elizabethtown- FUBO
  • Say Anything...- Disney+, Hulu, AMC+
  • Vanilla Sky- Paramount+,Showtime
  • We Bought A Zoo- Disney+, Roku